Weddings

This Bride Designed Her Entire Wedding Wardrobe Around A Pair Of Margiela X Louboutin Tabis

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Ushna Khan
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Ushna Khan

The couple first met at secondary school in Jalandhar, India, in 2016. “It was her presence, her style, her confidence – how calm she was,” Khush says. “That’s what I noticed first.” At the time, Kiran had just returned from Hong Kong and wasn’t thinking about dating, but Khush persisted, happily falling into the habit of waiting outside her classes, and striking up conversation whenever he could. “I didn’t really know what I was doing,” he says. “I just kept showing up.” Eventually, she gave him a chance. “It’s always felt easy since,” he adds. “She brings me peace. We’re best friends.” When Kiran later moved to the United States to pursue an MBA in finance at the University of Redlands, Khush followed, and together they began building a life – even raising a golden retriever, named Rooney, in honour of their favourite Manchester United player.

By October 2025, the Kraur-Bra wedding was well underway, largely self-organised, and beginning with a 90-guest sangeet at the Huron Substation in Los Angeles – its 45-foot vaulted ceilings, steel beams and weathered brick walls transformed with a verdant floral installation. For the occasion, Kiran wore a forest-green Sabyasachi lehenga, ordered just the day before, with help from her friend and stylist Suzaina. The skirt was dense with thick bands of gold embroidery, offset by a garnet strand necklace by Shri Paramani. “Nothing quite matched, but everything made sense,” she says. “I also kept the henna light – it’s part of the tradition, but I still wanted to feel like myself.” Khush, meanwhile, opted for a custom kurta and vest with Hermès shoes.

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Ushna Khan

The following morning’s ceremony was a more intimate affair, with just 30 loved ones in attendance – small enough to feel personal, yet large enough to matter. Guests, dressed in a palette of ivory, blush and lilac, gathered at the Calamigos Ranch in Malibu, a 400-acre expanse of meadows, towering redwoods and waterfalls nestled in the Santa Monica Mountains. “It was an immediate ‘yes’ of a venue, like love at first sight,” says Kiran, who chose to forgo the traditional farewell ritual of Indian weddings, describing marriage as “an expansion, not a departure”. Instead, she took her first steps into married life beneath a canopy of oak trees, wearing a pair of crystal-festooned Maison Margiela X Christian Louboutin Tabi shoes. “Those Tabi-Loubs became my muse,” she adds, noting how just about everything else was built up around them: elaborate Shri Paramani jewels alongside a coral lehenga, sheer dupatta and veil by Tarun Tahiliani – a new experiment in colour for the designer. “It all came back to the Tabis.”

When the couple saw each other for the first time that morning, Khush – wearing an ivory Sabyasachi sherwani, his turban notably tied himself – told his fiancée: “This is exactly how I envisioned you as a bride.” He could just as easily have said the same later that evening, when Kiran changed into a flaxen, pearl-trimmed lehenga by Manish Malhotra, paired with uncut diamond Shri Paramani jewels for the reception. There, guests, now dressed in black and midnight blue, found their seats on a wooden, tree-top deck decorated with oversized scarlet bows – “I took inspiration from a Dior Beauty installation in LA a few years ago,” Kiran says – via apples inscribed with their names. The couple entered to “Vibe” by Diljit Dosanjh, while candlelit speeches and fairground carousel photo calls followed – the evening stretching on far longer than planned, and somehow still not quite long enough. “I lost all sense of decorum,” Kiran says. “My outfit had this huge train, which made dancing a little tricky, but nothing was stopping me.”

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Ushna Khan

And yet, for all the set pieces, one moment lingers. “Just sitting together,” Khush says. “Everything went quiet in my mind, and it was peaceful, like everything had fallen into place.”