This Bride Designed Her Entire Wedding Wardrobe Around A Pair Of Margiela X Louboutin Tabis

It is one thing to admire a place from afar, another to arrive and feel as though you have already been there.
For years, a framed photograph of a rugged cobblestone street hung in Kiran Kaur’s hallway in Los Angeles. She passed it daily en route to her office in Culver City, where she works as a senior analyst in entertainment finance, often wondering where in the world it might have been taken – until, on a trip to Mallorca in 2024, she found herself stepping into its very frame.
It happened one drizzly afternoon, after lunch at De Tokio a Lima in the hilltop enclave of Valldemossa, as she and her then-boyfriend, Khush Brar, a freight manager, set off to explore the surrounding village. As they turned a corner, the sun began to pierce the clouds, and Kiran slowed to a halt. Something about the street ahead felt oddly familiar – the green-shuttered windows, the terracotta pots, the overhead wires strung between houses like washing lines – and then, all at once, it clicked. By the time she glanced back, Khush was already on one knee.
Only later did she realise how carefully the moment had been constructed: for months, Khush had been tracing the photograph back to its source, certain it would provide the perfect setting for their proposal. “There was a lot of planning behind it,” he says. “Google Maps, Pinterest… I kept digging until I figured it out.” He contacted locals to confirm the precise location, arranged for a photographer to be ready in place, and even made sure Kiran had packed outfits that would work for the setting. “I wasn’t nervous,” he says. “I just knew everything would be perfect.”
The couple first met at secondary school in Jalandhar, India, in 2016. “It was her presence, her style, her confidence – how calm she was,” Khush says. “That’s what I noticed first.” At the time, Kiran had just returned from Hong Kong and wasn’t thinking about dating, but Khush persisted, happily falling into the habit of waiting outside her classes, and striking up conversation whenever he could. “I didn’t really know what I was doing,” he says. “I just kept showing up.” Eventually, she gave him a chance. “It’s always felt easy since,” he adds. “She brings me peace. We’re best friends.” When Kiran later moved to the United States to pursue an MBA in finance at the University of Redlands, Khush followed, and together they began building a life – even raising a golden retriever, named Rooney, in honour of their favourite Manchester United player.
By October 2025, the Kraur-Bra wedding was well underway, largely self-organised, and beginning with a 90-guest sangeet at the Huron Substation in Los Angeles – its 45-foot vaulted ceilings, steel beams and weathered brick walls transformed with a verdant floral installation. For the occasion, Kiran wore a forest-green Sabyasachi lehenga, ordered just the day before, with help from her friend and stylist Suzaina. The skirt was dense with thick bands of gold embroidery, offset by a garnet strand necklace by Shri Paramani. “Nothing quite matched, but everything made sense,” she says. “I also kept the henna light – it’s part of the tradition, but I still wanted to feel like myself.” Khush, meanwhile, opted for a custom kurta and vest with Hermès shoes.
The following morning’s ceremony was a more intimate affair, with just 30 loved ones in attendance – small enough to feel personal, yet large enough to matter. Guests, dressed in a palette of ivory, blush and lilac, gathered at the Calamigos Ranch in Malibu, a 400-acre expanse of meadows, towering redwoods and waterfalls nestled in the Santa Monica Mountains. “It was an immediate ‘yes’ of a venue, like love at first sight,” says Kiran, who chose to forgo the traditional farewell ritual of Indian weddings, describing marriage as “an expansion, not a departure”. Instead, she took her first steps into married life beneath a canopy of oak trees, wearing a pair of crystal-festooned Maison Margiela X Christian Louboutin Tabi shoes. “Those Tabi-Loubs became my muse,” she adds, noting how just about everything else was built up around them: elaborate Shri Paramani jewels alongside a coral lehenga, sheer dupatta and veil by Tarun Tahiliani – a new experiment in colour for the designer. “It all came back to the Tabis.”
When the couple saw each other for the first time that morning, Khush – wearing an ivory Sabyasachi sherwani, his turban notably tied himself – told his fiancée: “This is exactly how I envisioned you as a bride.” He could just as easily have said the same later that evening, when Kiran changed into a flaxen, pearl-trimmed lehenga by Manish Malhotra, paired with uncut diamond Shri Paramani jewels for the reception. There, guests, now dressed in black and midnight blue, found their seats on a wooden, tree-top deck decorated with oversized scarlet bows – “I took inspiration from a Dior Beauty installation in LA a few years ago,” Kiran says – via apples inscribed with their names. The couple entered to “Vibe” by Diljit Dosanjh, while candlelit speeches and fairground carousel photo calls followed – the evening stretching on far longer than planned, and somehow still not quite long enough. “I lost all sense of decorum,” Kiran says. “My outfit had this huge train, which made dancing a little tricky, but nothing was stopping me.”
And yet, for all the set pieces, one moment lingers. “Just sitting together,” Khush says. “Everything went quiet in my mind, and it was peaceful, like everything had fallen into place.”












































